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Clifford J. Tasner’s music adds immeasurable production value to every film score he composes. Whether a film calls for an ambient score or a thematic one, Tasner efficiently incorporates a wide range of real acoustic instruments that add astonishing dimension.
So when he has the opportunity to work with a full orchestra (Running With Arnold), a small ensemble (It’s Not Me, It’s You) or a few solo artists (Verbatim: The Ferguson Case), Tasner combines his passion and creativity with his deep industry experience to deliver music - on budget, on time and with minimum drama (except for that on screen) - that allows any film’s story to fully emerge.
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